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Client
Mori Building Development Co., Ltd.
Facility
Office Tower with Hotel Above, Retail at Base, Gallery and Observation Deck at Top
Size
3412160ft² / 317,000m² (total)
2583338ft² / 240,000m² (above grade)
Status
Under Construction
Architect and Engineer of Record
Shimizu Corporation

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"The
show-stopping 95 storey World Financial Centre, is an original solution,
which is already influencing other designs even before it is
built."
Ralph Thomas, World Architecture, March 1998
"Quietly distinctive."
Michael Maynard, Architecture, November 1997
When it is completed, the Shanghai World Financial Center will stand as
the tallest building in the world.
The project is located on a key site in the Lujiazhui financial and
trade district in Pudong, which the Chinese government has designated as
an Asian center for international banking and commercial interests. The
rapid development of the zone has inevitably resulted in a disjunctive
urban fabric to which the design of the tower reacts in its great
monolithic simplicity.
The program of this 95-story project is contained within two distinctly
formal elements: a sculpted tower and a podium. Corresponding to the
Chinese conception of the earth as a square and the sky as a circle, the
interaction between these two geometric forms gives shape to the tower.
The project relates to its context through an abstract language that
attempts to symbolically incorporate characteristics meaningful to the
traditions of Chinese architecture, but is not limited to pictorial or
image-based historical precedents.
The primary form of the tower is devised as a square prism intersected
by two sweeping arcs, tapering into a single line at the apex. The
gradual progression of floor plans generates configurations which are
ideal for offices on the lower floors and hotel suites above. At the
same time, the transformation of the plan rotates the orientation of the
upper portion of the tower toward the Oriental Pearl TV tower, the
area's dominant landmark, a fifth of a mile away.
To relieve wind pressure, a 164-foot (50 meter) cylinder is carved out
of the top of the building. Equal in diameter to the sphere of the
television tower, this void connects the two structures across the urban
landscape. Wall, wing and conical forms penetrate through the massive
stone base of the tower. The varied geometries of these smaller elements
lend human scale, and organize the complexities of pedestrian movement
at the point of entry, complimenting the elemental form of the tower.
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